From Painting to Book Cover & Design.

A while ago I created the painting “Night Owl,” and then
it flew off!

“Night Owl” 24″ x 36″

Night Owl became licensed to Candace Lienhart and Kahuna Kindergarden, to be used as the cover art for her book SoThere Excerpts & Quotes.
While the painting was horizontal, the cover art needed to be in a vertical format.

Painting, Book Cover and Design

Continuing the painting into a vertical format was quite a challenge, and I enjoyed this project very much. Once the cover was completed within the book specifications, I also created the full book design, layout and graphics.

Back Book Cover and Inner Pages

I loved working with the information of this book. It’s wonderful, and I was able to read it page by page. The text was delivered to me in an editable word document by two people who had been collecting and compiling the information.

I used Adobe InDesign to create the book formatting and file. Originally InDesign was used for magazine and book layouts allowing continuity, and creativity with image placement and wrapping text for many, many pages. This book had 147. Now InDesign is used for many things, brochures, banners, eblasts to name a few.

Adobe Photoshop is the go-to for all image work. Images need to be formatted for clarity and size. Since the book was to be reproduced and bound by a professional printer, the images also needed to be formatted in CMYK for the colour process used by printers.

Adobe Pro DC is used for many steps of the process. From InDesign I can create a pdf file, edit, and rearrange pages. This file can be emailed to the client for proofing and review. It is also the program that the final “production ready” book file is created in for the printer. The whole book production process can take place in three different cities, without leaving home! But I like to meet my printer, they are an encyclopedia of “how to’s” and best cover and text paper choices. I like to make sure it feels good in my hands.

All three of these programs require some training by experimenting or online courses. YouTube is my main go-to, there are some creative problem solving geniuses out there, and I am grateful to them all! I have been using these programs since their infancy, I changed their diapers so to speak, and they just keep evolving and becoming more amazing.

That is the story of the painting becoming a book cover.

Are you designing a book or calendar? Questions are welcomed! If you ever find yourself needing digital assistance, an image formatted for web or print, or anything requiring text or design, email me at Liza@northlizalane.com, or go to my services page. Some tasks require as little as 15 minutes!

Thank you

Artist Anarchy – Work in Progress – Tufted Titmouse

Recently, I find myself working backwards.

Artists learn a lot of “rules” along the way. We keep some, and hopefully we break as many as we can, discovering what works for us in our creativity. Artist Anarchy can be really fun. Over the last year my paintings have been showing up in my imagination as “pieces.” Background, foreground, and main focus or character arrives at random times, and not necessarily in order. I paint or draw what shows up, and then sometimes that’s it. I just save it and move on. Eventually, all of the pieces do come together. The strange part…..is that they fit together perfectly, as if created at the same time.  My most recent work titled “Listening,” arrived in just that way. The foreground and background were painted months apart from each other. However, this tends to create very few posts, so I have decided to post all of the work in progress as it arrives. Hopefully once a week as opposed to once a month, and I will follow along with the story as it arrives!

To get started then

I saw an image of a Tufted Titmouse. Gotta love that name, and there it was, “me, me, draw me!” So I have. I sort of have an inkling of a bigger picture, and hopefully that will be arriving into my imagination soon. For now, I drew the Tufted Titmouse and hopefully these stages will be of interest. We all work differently, and I have learned a great deal from others, so this is “Share and Tell” time. Let me know!

 

The eye was created with watercolour. This might be a Christmas image, but I am trying not to get in the way. Check back next Wednesday and we will see what turns up over the week to come. – Thank you!

Magical Realism – Painting Retrograde

Every Storm has a Key to Wisdom

Retrograde Detail, holding steady.

I painted, and then repainted this piece six times, and then I quit counting. I would give it up and then come back to it many times. The little bird with its fine feathers lifted by the winds of the storm is the only part that remains intact from the original. This is how the piece finally received its name; Retrograde.

A great deal of information about mercury in retrograde can be found on several sites. During a retrograde I try to find the customized clues within the storm of confusion. If the universe is putting in a great deal of effort, then shouldn’t I as well? Just short of dressing up and with the best of intentions I approach retrograde as a grand yet uncomfortable opportunity. I vow that my sense of humor will be my perch. I try to remain steady (and laugh), knowing the clues will arrive like random puzzle pieces smacking me in the forehead. After a lot of bruising the pieces will begin to assemble themselves, just about the time I find my perch being torn from its roots and I am not laughing anymore. Note; trying to force or reshape the puzzle pieces to fit together and into an insight is not recommended; I have tried. And then…it happens, the pieces become a key to a valuable revelation about life and I didn’t die! Yea Mercury in Retrograde.

Magical realism is a natural and favorite way for me to create. I have always wanted to see beyond what we perceive with our eyes, and paint what is occurring behind the scenes. My definition of magical realism is painting life through a mysterious lens, revealing an “interior” mystery using magical elements to make a point about reality. This is my painting illustrating mercury in retrograde. It will end on August 2nd. The next retrograde is October 31st through November 20th. Oh goody, we do get to dress up!

Thank you.

My Cover Girl – Celebrating Spring & Easter.

I giggled the entire time I created this, in celebration of spring and Easter.

Looking at her face, I just can’t help it. Spring is joyful, fresh, new, loving and hopeful.  It is an opportunity to witness the transformation in nature, and within ourselves. A time to celebrate surviving and thriving through the challenges of the past year.

I had so much fun with this that I have decided to make this my new “Play Project” in between paintings. Creating magazine covers using my own artwork with articles I would love to read. Then I will print and frame each cover, and line my home hallway with them. I will call it my Happy Hall

I think I’ll create a Rolling Stones cover next…..

Happy Spring, and Happy Easter to All.

– thank you.

Painting – “Fowl Play.”

I found myself feeling uninspired, and in a bit of a foul mood while trying to enjoy my painting time after a challenging week. What to do? I looked out of the window and observed Betty White and Pearl Bailey busy gossiping around the base of a palm tree.

Betty and Pearl are chickens living in the heart of a large city at a complex that feels as if it is not in the city at all. Betty arrived one day last year as a mystery, was quickly adopted, and Pearl was brought in to be her comrade in hyjinx. They are incredible at herding cats. These two chickens living in the heart of the financial district are quite popular, and even have their own website. It’s all quite comical, watching them at play and how they react to life around them.

“When work becomes play, and play becomes your work, your life unfolds.” — Robert Frost

Taking a my cue from Betty and Pearl I chose to play. I moved into the inspired moment, capturing the energy like a snapshot of spontaneity. Using quick loose strokes, splatters, and random colours, I worked rapidly and with limited thoughts. Then I added a little detail for the head. Later, I chose to add a background of gritty texture, replicating the dirt Betty and Pearl love to dig in for appetizers. My observation of play became the energy of how I painted, and the true essence of the image. I smiled as I worked, and my work became play. Another valuable lesson in truly living life. — Thank you.

Painting – Choosing the Long Way Home

Choosing the Long Way Home. 36″x48″.

This painting contains “hidden images.” For anyone who remembers Highlights magazine and the hidden images drawing on the last page, you may enjoy finding them as much as I did.

This work was a complete surprise. I had no “conceptual plan” whatsoever, but to just play around creating texture. It wasn’t until this piece was about to be set aside, that I saw a story creating itself within the painting. While peering closely at the detail, the painting extended an invitation to enter. I walked in as an observer, and was enchanted by what I found, beginning with all the little faces and characters. I gave this painting the title; “Choosing the long way home.” This painting also holds many stories, and you are invited in to share them. I invite your imagination to walk into the image, peek into the windows and meander along the lane.

I would love to hear about what you find, and any stories you see.

Happy New Year to all. — and I thank you.

 

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